From all points of campus and from a distance beyond, Weaver Chapel
stands tall on the Wittenberg landscape, anchoring the university
and serving as a centerpiece for faith and learning, community and
service, knowledge and truth. Fifty years have passed since the chapel’s
dedication, and now Wittenberg Magazine takes readers back through the
five decades – decades that defined the chapel, the campus and those who
found refuge and love within its walls.
Symbol of a School
Can a building embody the spirit of a
school? In the early 1950s, Wittenberg
President Clarence C . Stoughton
proposed the creation of a chapel-library
for Wittenberg. He believed that such
a building would be a living symbol of
the intersection of faith and learning
and of Wittenberg’s efforts to help
students develop more fully. The history
of Weaver Chapel bears out that vision.
As Wittenberg students have entered
the chapel in search of knowledge, faith,
comfort or just beautiful music, the place
itself has come to bind and strengthen
the community. The events that have
taken place inside Weaver Chapel
prove that its original purpose “to show
in unforgettable fashion that it is the
wholeness of life that is the concern of
Wittenberg College and the Church” has
come to fruition.
These words, from the program for the
chapel’s dedication week ceremonies in
September 1956, encapsulate Stoughton’s
vision for the chapel-library. The theme of the opening ceremonies, “A College,
the Church, and the Arts,” boldly
expressed a new and unusual vision of
the partnership of college and church,
with the arts as a new element. That
this was the overarching intention of
the chapel-library was made very clear
by the variety of religious, cultural and
scholarly events during the weeklong
dedication ceremonies: two plays, organ
and choir concerts, lectures, seminars
on architecture, libraries and drama,
and a performance by the famous
Metropolitan Opera baritone, Robert
McFerrin Sr.
Everything from the location to the
design of the building was intended
to make the chapel a relevant and
important part of campus life. Stoughton
and architect Dr. T. Norman Mansell of
Philadelphia together decided to place
it to the east of Myers Hall, where it
would connect the old campus and
the new emerging campus – literally
at the crossroads of the old and the
new. The final design – what Mansell called “contemporar y American” –
took the colonial shapes originally
envisioned by the board and gave them
a contemporary feel, echoed the Gothic
style of “Schlosskirche” (Castle Church)
in Lutherstadt Wittenberg, Germany,
but added the clean, functional lines of
modern architecture.
Just as the architecture incorporated
modern trends while retaining traditional
elements, so too throughout its 50-year
history have the events, celebrations,
forums, “teach-ins,” concerts and lectures held within the chapel reflected
the tenor of the times, while remaining
true to the chapel’s traditional purpose
as a place for worship and faith.
Marking Celebration and
Achievement
Fifty years ago, Jim ’50 and Diane
Huston Walsh ’57 were the first
Wittenberg couple to be married in the
newly constructed Weaver Chapel. It was
Thanksgiving Day 1956. “People really
came,” remembers Diane, “even though
we disturbed their Thanksgiving!”
In fact, they filled the chapel with
family and friends, and plenty of
Wittenberg graduates.
“Weaver was special to us because of
our connection to Wittenberg,” Jim says.
“But it was also just a beautiful place.”
Since then, countless couples have
chosen to be married in the chapel –
Wittenberg alumni, faculty and
Springfield community members. And
then there are the marriage proposals.
More than a few students and alumni
have selected Weaver as the place to pop
the question.
The chapel has also been the scene
of ot her memorable celebrations.
Alumni fondly remember the religious
observances that drew large crowds,
such as Advent Vespers, which in more
recent years has become Lessons and
Carols for Advent and Christmas, and
the Reformation services. And for events
that recognize achievement, nothing
beats the pageantry of convocations
held in Weaver, particularly the Honors Convocation – where students
and faculty are recognized for their
outstanding accomplishments – and the
baccalaureate service where graduating
seniors receive encouraging words as
they prepare to make their mark on
the world.
Providing Comfort and
Refuge, Fostering Faith
The day that President John F. Kennedy
was assassinated, Larry Houff ’66 was
working as a busboy at a campus sorority.
As the bell tolled and students dispersed
across campus, he had an urge to go to
the chapel. “I thought I was going to be
alone,” he remembers.
But by then the chapel was already
three-quarters full. Gravitating to the one
place that might provide comfort, people
came and held a spontaneous prayer
service. “It was part of the experience of
who we were and where we were and what
was taking place,” he says.
More recently, when the devastating
events of Sept. 11, 2001 began to unfold,
President Tipson called for a gathering
in the chapel. He and several professors
spoke, and Pastor Rachel Tune prayed,
hoping to give students a sense of security
and provide some solace.
“The chapel was completely full, with
people sitting in window wells, on the
floor up front, and flowing out of the
narthex,” recalls Pastor Tune, who with
co-Pastor Andy Tune, presided over
numerous services throughout the week.
Whether it is a student death or a
national tragedy, students and staff
have been drawn to the chapel to
cope with the aftermath of loss. Yet
Weaver Chapel has also naturally been
a place where students come to deepen
or awaken a relationship with God,
contemplate life or find a quiet refuge.
Though the schedule has changed over
the years, regular worship services have
always been held at Weaver. The many
campus ministries also hold diverse
events in the chapel, from concerts to
Bible study to worship activities. These
weekly opportunities for reflection and
worship have provided generations of
students with a sense of community
and belonging – a kind of home away
from home. In this regard especially,
students repeatedly remember the
warmth and acceptance they felt from
the chapel’s pastors and staff. Even the “not-so-regulars” and very-infrequent
visitors have found in Weaver a place for
contemplation, relaxation and peace.
Weaver has managed remarkably well
to reflect the times – one 1973 alumna
remembers attending services barefoot –
while still being a traditional worship
place. In the 1960s, as secularization
became a societal trend, Pastor Robert
Karsten diversified and expanded the
chapel ministry and even held a dating
workshop for students. The chapel
continues to reflect the diversity of the
student body with interdenominational
and interfaith services.
Stimulating Discovery,
Thought and Conscience
As the site for forums, lectures and
discussions, Weaver has been a kind of
crucible in which students begin their
journey of self-discovery and take steps
toward their total growth as people – an
essential goal of a Wittenberg education.
It has brought people together to
question, listen and learn more about
civil rights, the Vietnam War and a
variety of social and political issues.
In May 1970, as college campuses
around the country reacted to the
fata l shooting of four Kent State
students, Wittenberg students and staff
coordinated a day-long “teach-in” in
Weaver Chapel. There were speeches,
poetry, discussions and music, and
people came and went throughout the
day. Robin Skinner Prinz ’73 remembers
the chapel being completely full: “It was
a unique opportunity to express to the
adults in our lives the foundation for our
beliefs and concerns about the Vietnam
War, and it was appreciated that so many
were there to listen.”
About a year earlier, the chapel had
been the site of a tenser gathering. In
January 1969, Provost Allan O. Pfnister
addressed a full chapel of angry students
questioning the university’s racial policy.
The discussions in Weaver were just
one of many that took place on campus
that finally culminated in an official
university response to the students’
demands.
Today the chapel remains a magnet
for this kind of dialogue and peaceful
dissent. To mark the anniversary of
the start of the Iraq war, students and
faculty organized a two-part peace
vigil that included the reading of the
names of those killed in Iraq, held in Hollenbeck, and a prayer service in the
chapel. Professor Tim Bennett ’78, a
participant, remarks, “Here is a way in
which what we say we believe, who we
say we are and what we do intersect for
us. It is fantastic that the chapel provides
the shelter for that.”
Then there are those moments when
a student has come to Weaver to hear
a professor, political activist or scholar
and has gone away inspired to do great
things. When John McLaughlin ’64,
then the Deputy Director of the CIA,
returned to Wittenberg to address
the 2001 graduating class, he recalled
sitting in Weaver listening to Professor
Margaret Ermarth’s riveting accounts
of her adventures in the Soviet Union.
It was an experience that, in his words,
“sparked and nourished my interest in
international affairs.”
The chapel has served as the site for every
Martin Luther King Jr. Commemorative
Convocation and numerous other lectures
throughout the years. Wittenberg students
have had the chance to be inspired and
challenged by such notable scholars, poets
and activists as Harvard socio-biologist
E.O. Wilson, poet Nikki Giovanni, and
activist and author Michael Eric Dyson,
to name a few.
Appreciating the Arts
True to Stoughton’s vision that the chapellibrary
would provide Wittenberg with a
new opportunity to “deepen and vitalize
the partnership of the Church and the
arts,” the chapel contains in almost every
nook and cranny, a unique work of art –
from woodblock carvings to “art glass”
stained-glass windows to a massive orlon
mural. With this variety of high-quality
art found within its walls, the chapel has
certainly fulfilled one of its original intents
to be “a silent sermon in Christianity.”
Featured in National Geographic in
July 1961, the chapel’s unusual stained
glass windows are particularly striking.
The work of Oliver Smith, they reverse
the usual technique by outlining the
figures in lead and using colored glass as
the background. The result is dramatic
colored light splashing on the floor and
pews – a Wittenberg memory shared by
many faculty and alumni.
Designed with a moveable lectern in
its chancel, Weaver Chapel was always
intended to be a performance space.
Over the years, actors, dancers and
musicians have thrilled the Wittenberg
community with a whole range of artistic
expression within the chapel walls.
Connecting a Community
Weaver Chapel and Thomas Library
anchor the Wittenberg community in
obvious but also unseen ways. As a literal anchor in the heart of the campus, its
tower rises 212 feet into the air, visible
from miles around. Symbolically, it
connects the Wittenberg community in
its quest for knowledge and in times of
crisis, celebration and remembrance, and
reminds us of the inherent connection
between faith, reason and the arts.
This is true even for those who do not
regularly attend worship services there,
for through the events held within it,
Weaver Chapel embodies the spiritual,
cultural and academic goals of the
Wittenberg experience.
And that is just as Stoughton envisioned
more than 50 years ago.